Download It Ain't So Awful, Falafel

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It Ain't So Awful, Falafel

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Review

"Insightful, sobering, and hilarious."—People magazine "Filled with humorous touches and authentic cultural references, Dumas’s story will resonate not just with young immigrants but with any readers trying to adapt to new situations."—Publishers Weekly * "Dumas’ semi-autobiographical novel is both funny and affecting...Readers will be thoroughly invested in Cindy’s story, whether holding their breath or laughing out loud, and always hoping that the Yousefzadehs will come out on top."—Booklist, STARRED review * "[A] fresh take on the immigrant experience—authentic, funny, and moving from beginning to end."—Kirkus Reviews, STARRED review "[It Ain't So Awful, Falafel] is funny, affecting, and nuanced...The novel doesn’t sugarcoat the issues, but it balances these serious notes with preteen antics and melodramas that Blume would be proud of; Cindy’s voice will undoubtedly draw in readers from all backgrounds."—Horn Book"...keeps readers engaged with the very real and relatable difficulties of finding friends after moving, dealing with family issues both domestic and abroad, and discovering one’s own identity in middle school."—School Library Journal “Firoozeh Dumas’s unique gift is her ability to use her wry, bold, but always gentle wit to tell serious stories about family, heritage, and loss. . . . In this era of suspicion and paranoia, [this book] offers a tender and compassionate glimpse into the immigrant experience.” —Khaled Hosseini, bestselling author of The Kite Runner "This book is a sheer delight—rambunctious and rich. . . . Firoozeh Dumas writes with the perfect light touch that makes us wonder once again: Who is running the big world and why not this person, please?"  —Naomi Shihab Nye, novelist and poet "[A]n honest, witty, and moving portrayal of what it means to be an Iranian immigrant in the late 1970s, during the Iran hostage crisis."—Scholastic Teacher Magazine

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About the Author

Firoozeh Dumas was born in Abadan, Iran, and grew up in California and her birth country. She is the author of the New York Times best-selling memoir Funny in Farsi, and lives in Munich, Germany, with her husband and three children. Visit her website at www.firoozehdumas.com.

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Product details

Age Range: 10 - 12 years

Grade Level: 5 - 7

Paperback: 384 pages

Publisher: Clarion Books; Reprint edition (August 15, 2017)

Language: English

ISBN-10: 132874096X

ISBN-13: 978-1328740960

Product Dimensions:

5.1 x 1 x 7.6 inches

Shipping Weight: 12 ounces (View shipping rates and policies)

Average Customer Review:

4.8 out of 5 stars

83 customer reviews

Amazon Best Sellers Rank:

#42,867 in Books (See Top 100 in Books)

“Not everyone hates Iranians,” she assures me, putting down the paper. “People who hate just happen to be the loudest.”I loved, loved, loved this book, and this author. Highly recommend this laugh-out-funny and moving story of Zomorod (Cindy) Yousefzadeh, a girl from Iran who has spent several years, here and there, in America due to her father's engineering job.The time period is the late 70s, when a lot of people in America were hearing about Iran for the first time due to political strife and the taking of American hostages. I was exactly the same age as Zomorod during the period of time the story takes place. In Catholic School, we would turn toward the window, say the Pledge of Allegiance, and then take turns on who would lead the prayer for the hostages.Zomorod, like any kid, seeks to fit in, and is embarrassed by her parents. She has the added pressure of good English, but not knowing all the idioms, as well as parents who are different culturally from the other adults. And schoolmates who think she comes from a land of an animal she'd only ever seen in a zoo -- a camel.I found myself chuckling at several opportunities at Zomorod's observations and wit, and at her mix of love and embarrassment in regard to her parents.Americans are written as essentially good people, albeit a bit ignorant on world events. The most villainous character is still portrayed with some sympathy. Because the story takes place over a couple years, the younger characters get an opportunity to mature.In fact, one of the details that impressed me most is how the Zomorod at the beginning of the story and at the end are clearly the same girl, but each version think and behave appropriate to her age. She has gained wisdom and confidence and lasting friendship. (I adored her circle of friends.)If there is one flaw, it's that the author imparts a lot of info on the Iran, which is both interesting and vital to the story, but the information is often imparted in a less-than-natural fashion. The best method is Zomorod's best friend asking questions out of interests, concern, and her plan to become a journalist. But then there is the neighbor who stops periodically to ask to have events explained to him.I hope that there will be more books in this series, because I would love to stay in touch.

I’m 10 years old and just started 5th grade. I could not put this book down. I was sad when reading was over. Some pretty sad parts too, I felt so bad. I really like how Zomorod (Cindy) made new friends even though she was really lonely. And there were a lot of funny parts. I want my mom to read this too. I think she’ll love it. I read it every day before school and after. And I read a few parts to my mom because they are so funny. My mom even made falafels for dinner after I finished the book. I loved this as my first book by this author.

I had purchased the audio book a while back, but had forgotten why. I listened to it with my kids (9 & 11) on a road trip. At first it was not that interesting to them, but we stuck with it, and then they were invested. I had not realized that it was about the Iran hostage crisis, which I was 10 years old during. It really put it into perspective for me and introduced my children to the events. Mostly though, was the human aspect part that I found importance in my children hearing about - the good and the bad in people. Firoozeh illustrates how people who actually get to know people of a different cultures can relate to them, and those who are ignorant are the ones who hate. There are some very good lessons that are important for this day in age in 2017.

This is the type of story that I would love to see it turn into a movie. I can't believe someone could fictionalize their own story and still makes it sound very natural and authentic. The historic information is very useful and is presented in a very pleasant way. I don't want to give out too much information about the story, but I really appreciate its language, very poetic in many instances. The author definitely has a very good sense of humor. I was almost moved to tears because the emotion delivered between the lines was so genuine, and I am still feeling very complicated about the fact that part of the story was fictional. I don't know if I want it to be 100% real or partially real, because I would feel sad that some of the characters did not actually exist, and I really liked them. Some part of me hates to know that some things did happened as described. The bottom line is that I love 100% of the story.

I read this book with my fifth grade students and while it is categorized as “middle grades” I still think YA lovers will enjoy it as long as romance is not a requirement. This book is semi-autobiographical and set in the 1970’s California. Zomorod is an Iranian girl trying to find her place in the US during a hostage crisis. The highlight of this book for me was that it showed very clearly that just because you’re from somewhere doesn’t mean that you share the same ideas and tactics that your government does. It shows that we can’t judge people on anything other than their own actions and beliefs. My students and I both enjoyed this book thoroughly. 4.5 out of 5 stars, hands down.

This is the story of a girl from Iran trying to fit in in Southern California.This is the story of 1977-1980. For those alive then this is when the shah fell and the Iranian hostage crisis happened.I was in high school and college during this time and it was amazing to read this history which I remember as told from another point of view.We all feel alienated from time to time in our lives. Imagism bring an Iranian in America during this time.Great voice. Great story. Friendship and heartache.Now to go read her other books.

Dumas hits it out of the park again -- a fictionalized memoir of growing up in California. In "It Ain't So Awful, Felafel," young Iranian-American Zomorod learns she really can find friends in a brat-filled Orange County middle school.

Thoroughly enjoyed this book. The author has a light style that is highly readable and entertaining. Recommend it for adults and teens.

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Download Ebook Art Since 1900: 1900 to 1944 (Third Edition) (Vol. 1)

Download Ebook Art Since 1900: 1900 to 1944 (Third Edition) (Vol. 1)

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Art Since 1900: 1900 to 1944 (Third Edition) (Vol. 1)

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About the Author

Hal Foster is Townsend Martin Professor of Art and Archaeology at Princeton University. A co-editor of October magazine and books, he is the editor of The Anti-Aesthetic, and the author of Design and Crime, Recording, The Return of the Real, Compulsive Beauty and The Art-Architecture Complex.Rosalind Krauss is University Professor of Modern Art and Theory at Columbia University.Yve-Alain Bois is an author and professor of Art History at the Institute for Advanced Study, Princeton, New Jersey.Benjamin H. D. Buchloh is the Andrew W. Mellon Professor of Modern Art at Harvard University.David Joselit worked as a curator at The Institute of Contemporary Art in Boston from 1983 to 1989 where he co-organized several exhibitions including "Dissent: The Issue of Modern Art in Boston," "Endgame: Reference and Simulation in Recent Painting and Sculpture," and "The British Edge."Â He is Distinguished Professor of the History of Art at Yale University. Joselit is the author of Infinite Regress: Marcel Duchamp 1910-1941, Feedback: Art and Politics in the Age of Television, and American Art Since 1945.

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Product details

Paperback: 392 pages

Publisher: Thames & Hudson; Third edition (September 1, 2016)

Language: English

ISBN-10: 9780500292716

ISBN-13: 978-0500292716

ASIN: 050029271X

Product Dimensions:

8.6 x 1 x 11 inches

Shipping Weight: 3.3 pounds (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

2 customer reviews

Amazon Best Sellers Rank:

#318,520 in Books (See Top 100 in Books)

This two volume set is justifiably considered "the one book on 20th Century art to read, if you can only read one." It covers the century exhaustively, without managing to bore or slide too far into pretension. No easy task, that.

Art Since 1900 opens each chapter with a momentous event in art history, and the first one is Sigmund Freud’s Interpretation of Dreams. Using the events as a springboard, we see how modern art began (according to the authors) with new ideas on thinking. Radical styles in painting actually began years earlier in Paris, with Van Gogh and Gaugin pushing the limits of acceptability, but in this book it was Gustav Klimt’s open defiance of the establishment. Klimt’s dark subject matter is a proof, along with Freud’s work, that Vienna could be a place of rebel thinking. Preceded by artists like Gaugin and Toulousse-Lautrec, known for bizarre colors and strange subject matter, we can deduce that modern art was decades in the making. Another source of the change in taste, according to the first chapter, is the rejection of cliché. Years earlier, Auguste Rodin created his famous Balzac statue as a formless column, with no indication that the subject was a writer (Balzac wears a bathrobe, because he often wrote late at night.) Similarly, Picasso’s Demoiselles D’Avignon removed the original plan to include a sailor (the client) and the medical student with a skull (memento mori). The chapter does not go into detail about the African symbolism in the painting, though it’s discussed in another essay titled Dread, Desire, and the Demoiselles. The second volume (it’s a two-book set) begins in 1945, when New York City and Chicago were becoming ground zero for the art world. Paris and Vienna were no longer the art capitals of the world, thanks to WWII driving the artists out, but keep in mind that years earlier, Paris and Vienna had pushed out Venice, Florence, and Rome. Where Paris was known for Chagall and Picasso, New York was now home to Pollock, De Koonig, and Mark Rothko, many of whom began in the WPA era. The authors make use of contemporary journalism, with sources from Clement Greenberg and Harold Rosenberg in the chapter on American abstract-impressionism, followed by realism making a comeback. I’d read a similar book, titled Art Since 1945, back when I was in college. It ended with the 1980’s artists like Harring and Basquiat (both of whom were proteges of Warhol) and Barbara Kruger. In every generation the textbook gets bigger, giving more attention to artists who, fifteen years ago, got no love. Take for instance Nicole Eisenman, whose 1996 works are included here, but would not have been included in this book in 2000. The Young British Artists are another movement that got more extensive coverage since their 1990’s debut. However, the book’s discussion of their origin is a bit slim, attributing them to Margaret Thatcher’s increased support for business, and the resulting British neuveau-riche class that sponsored Britain’s emerging artists. It is an accepted fact that early 20th century Britain didn’t have millionaires like Guggenheim and Rockefeller who bankrolled modern art, so Britain’s artists were a bit slower in their emergence. It wasn’t until the 90’s that the new British upper class would sponsor artists like Damien Hirst and Rachel Whiteread. I remember the YBA show at the Brooklyn Museum back in 2000, where Charles Saachi displayed his collection, aptly titled Sensation, as a way of introducing NY’s audiences to his country’s artists. It was like The Armory show 90 years earlier, where American audiences were introduced to Europe’s modern art. However, I was not ignorant of the YBA before the Saachi show; I’d seen the Chapman Brothers show at the Gogosian, and Whiteread’s pieces were displayed publicly back in 1994. Mayor Giuliani’s harsh criticism of Chris Offili’s Holy Virgin Mary With Elephant Dung only added to the publicity. The use of newsworthy events to begin each chapter makes sense, given that history will always be the biggest influence on art, and not the other way around. You have changes in economics, which leads to patronage, and then you have museums that can launch an artist’s career by giving him/her a platform. Not discussed in the book, though I would like to see it, is the subject of the artist neighborhoods in different countries. New York City had Soho, and I don’t know what the equivalent would be in London or Beijing. Chinese artist like Ai Wei Wei come at the end of the book, with a small entry, though Asian artists have been gaining ground for 15 years. I would read this book alongside Sanctuary (the studios of the YBA) and Dark Matter (how art has gone from commercialism to activism) in order to gain an understanding of the role of art in modern history. The authors make no effort to hide the fact that the scholarship is Eurocentric at the beginning, and US-centered after 1945. However, the USA had the Ashcan school in the years before 1945, with artists like George Bellows and his boxer painting, and then you had Edward Hopper’s streetscapes, but these guys don’t really come into play in the book. They were well-known in the USA, but rarely got any attention in Britain or Europe. I doubt that any of the artwork’s in the Metropolitan Museum’s American Wing are well known outside of the USA. Let me sum up by saying that this book can satisfy an entire course on modern art. It makes great effort to include non-US artists, though there’s little attention to artists from Latin America, the Middle East, Australia, or Africa. That could change, however, and I imagine this book will need a third volume in the next decade.

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Art Since 1900: 1900 to 1944 (Third Edition) (Vol. 1) PDF

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Ebook Download Pen and Ink Drawing Workbook Vol 4: Learn to Draw Pleasing Pen & Ink Landscapes, by Rahul Jain

Ebook Download Pen and Ink Drawing Workbook Vol 4: Learn to Draw Pleasing Pen & Ink Landscapes, by Rahul Jain

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Pen and Ink Drawing Workbook Vol 4: Learn to Draw Pleasing Pen & Ink Landscapes, by Rahul Jain

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About the Author

Rahul Jain is Ontario, Canada based pen and ink artist and is passionate about helping people discover the joy of pen and ink drawing. To that end he has written completely free tutorials for anybody to learn doing landscapes in pen & ink at his website, www.pendrawings.me Through these workbooks, Rahul is making the art of pen and ink drawing easily accessible to anybody. Typical pen & ink drawing books focus more on technical aspects of drawing and many newcomers to this wonderful art are sufficiently discouraged with what they perceive as need to achieve certain technical proficiency with pen before they can do any drawing. Not so in these workbooks. Here Rahul shows the underlying simplicity and beauty of pen drawing that anybody can attempt and be successful at by using simple pen lines. Try these workbooks today and discover how simple and pleasurable it is to capture the beauty of nature when sitting outside with a pen and drawing book in your hand. You can find more of Rahul's work and connect with him at www.pendrawings.me

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Product details

Paperback: 97 pages

Publisher: CreateSpace Independent Publishing Platform (June 8, 2018)

Language: English

ISBN-10: 1720873070

ISBN-13: 978-1720873075

Product Dimensions:

6 x 0.2 x 9 inches

Shipping Weight: 5.6 ounces (View shipping rates and policies)

Average Customer Review:

3.8 out of 5 stars

4 customer reviews

Amazon Best Sellers Rank:

#504,725 in Books (See Top 100 in Books)

I am no artist. I have no measurable talent for drawing. Through this book, I have learned that drawing is not just for "artists," but can be enjoyed by everyone. I came to drawing late in life, through this book. The author give the non-artist the tools to draw landscape elements, and variations to begin finding your own style.

I expected a lot more. Poorly created and this was more of a pamphlet. This information would have filled about 5 pages of a normal book. Too expensive even at this price.

Shows a lot and makes it easy for you to create your own.

I love every book in this series.

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PDF Ebook Brain Disabling Treatments in Psychiatry: Drugs, Electroshock, and the Psychopharmaceutical Complex

PDF Ebook Brain Disabling Treatments in Psychiatry: Drugs, Electroshock, and the Psychopharmaceutical Complex

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Review

Praise for Brain-Disabling Treatments in Psychiatry, 1st Edition ?This book proves once again that Peter Breggin truly is the ?conscience of American psychiatry.? Breggin shows that the brain-disabling hypothesis of organic psychiatric treatments is overwhelmingly confirmed by clinical experience and the scientific literature. With astounding numbers of elderly, adults, and children on prescribed psychoactive drugs, Brain-Disabling Treatments in Psychiatry should be required reading for all medical interns, practicing physicians, and mental health professionals.?

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Praise for the first edition:"Breggin has written the definitive text for professionals and the public alike who really want to know the hazards, inadequacies and illusions of psychopharmacology. this book will be a foundation for those who specialize in medication-free treatment.--Kevin F. McCready, PhD, Clinical Director, San Joaquin Psyuchotherapy Center"This book proves once again that Peter Breggin truly is the 'conscience of American psychiatry.' Breggin shows that the brain-disabling hypothesis of organic psychiatric treatments is overwhelmingly confirmed by clinical experience and the scientific literature. With astounding numbers of elderly, adults, and children on prescribed psychoactive drugs, [this book] should be required reading for all medical interns, practicing physicians, and mental health professionals."--David Cohen, PhD, Professor of Social Services, University of Montreal"Once more, Dr. Breggin updates us on the real evidence with respect to the safety and effectiveness of the range of specific psychiatric medications and ECT. This information is needed by all mental health professionals, as well as patients and families, but it is never completely available in textbooks or drug advertising."--Bertam Karon, PhD, Professor of Psychology, Michigan State University"Peter Breggin, MD, a scientific-Hippocratic physician, does not for a moment overstate the danger posed by the psychiatric-pharmaceutical cartel."--Fred A. Baughman, Jr., MD, Fellow, American Academy of Neurology

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Product details

Hardcover: 320 pages

Publisher: Springer Publishing Company; 2 edition (December 17, 2007)

Language: English

ISBN-10: 082612934X

ISBN-13: 978-0826129345

Product Dimensions:

6.4 x 1.4 x 9.3 inches

Shipping Weight: 2 pounds (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

20 customer reviews

Amazon Best Sellers Rank:

#1,020,528 in Books (See Top 100 in Books)

Dr. Peter Breggin has stellar medical credentials, but he is a voice in the wilderness when it comes to exposing the shocking state of psychiatric drug prescribing as well as other more barbaric practices which do so much more harm than good. He is of the belief, that humane interaction with patients, particularly actually listening to their concerns, and getting a medical history before throwing pharmaceuticals at them, is the way to really help them. This is a companion piece to Dr. Breggin's more recent book, How to Get Off Psychiatric Drugs Safely. Although I was intimately familiar with this topic, having lived through an excruciating experience with several primary care and psychiatric professionals, anyone interested in the topic in general will find this book eye-opening.

Very disturbing and enlightening information. I wish that I or my doctor had known this information for the past 20 years. It would have made a life-changing difference.

I bought this book as an adjunct to reading Dr. Wesley Muhammad's " Understanding the Assault on The Black Man, Black Manhood, and Black Masculinity." The revelations made by Dr. Breggin are disturbing. They support 100% the position of Dr. Muhammad with respect to part four(etc) of the above mentioned book.

After years of dealing with and caring for a spouse who had fallen victim of prescription writing psychiatrists, I was immediately drawn to this publication when I found it referenced. Dr. Breggin confirmed what I had been suspecting for months, if not years; my spouse was no better off for all the drugs prescribed...and she had become a non-functioning person as a result of taking those drugs. The author details the terrible side effects of commonly prescribed psychiatric drugs, and points out how the prescribers, psychiatric MD's, routinely ignore and fail to warn the patient and the patient's family of the downsides and long-term ineffectiveness of those drugs. Dr. Breggin gives specific examples and references to commonly prescribed psychiatric medications, elaborates on details of their testing and approval processes, and offers proof that the drugs are often more harmful than effective and that they tend to create the very symptoms that the patient is trying to eleviate. He also points out that the prescribers never accept responsibility for a patient not recovering, and consequently they just change medications or add additional drugs to the "cocktail" when symptoms persist. After digesting the information in the book, we have developed a plan for withdrawing my spouse from the drugs while maintaining a relationship with the psychiatrist currently

Informative and useful text.

What an eyeopening book!

This is an amazingly researched book, extremely informative, and thorough. It details the history of each psychiatric drug and its acceptance and side effects as well as why doctors prescribe them. The author has access to all the hidden information, the failed trials that are swept under the rug, and all the less than pristine tactics employed by the drug companies in their effort to secure profitability. It is an eye opener as to the influence of drug companies on the treatment decisions of psychiatrists, and it describes how blind psychiatrists are to the harm they are causing to patients with the use of these toxic drugs. It will give you very uncomfortable information and make your blood boil with outrage. Dr Breggin shows amazing honesty and courage.Where the book fails for me, it is in offering a solution, because its premise is that drugs are poisons and should be avoided and that every mental illness can be treated with therapy alone. I am quite sure the latter is not true, and drugs are sometimes necessary. What is quite true is the blinding of doctors to the effects of their drugs, and their inability to sort out symptoms from side effects once the patient has been medicated.All in all, an amazing source of information on drugs and how psychiatrists think,a must read, but no clear solution for intractable problems.

Don't miss these book!The best book about psychiatry, especially for physicians.And, of course, for people that use these drugs.

Brain Disabling Treatments in Psychiatry: Drugs, Electroshock, and the Psychopharmaceutical Complex PDF
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Brain Disabling Treatments in Psychiatry: Drugs, Electroshock, and the Psychopharmaceutical Complex PDF

Brain Disabling Treatments in Psychiatry: Drugs, Electroshock, and the Psychopharmaceutical Complex PDF

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Free PDF Master the Miller Analogies Test 2004 (Arco Academic Test Preparation Series)

Free PDF Master the Miller Analogies Test 2004 (Arco Academic Test Preparation Series)

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Master the Miller Analogies Test 2004 (Arco Academic Test Preparation Series)

Free PDF Master the Miller Analogies Test 2004 (Arco Academic Test Preparation Series)

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From the Publisher

Features and Benefits: -7 full-length practice exams. -More than 1,000 additional practice questions. -15 mini tests, featuring every type of test question. -An up-to-date list of nations of the world, and mythology and math terminology that most often appear on the test. -7 Bonus analogies tests for the GRE CAT.

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Product details

Series: Arco Academic Test Preparation Series

Paperback: 244 pages

Publisher: Arco; Revised, Subsequent edition (June 20, 2003)

Language: English

ISBN-10: 0768912067

ISBN-13: 978-0768912067

Product Dimensions:

8.6 x 0.8 x 11 inches

Shipping Weight: 15.5 ounces (View shipping rates and policies)

Average Customer Review:

3.5 out of 5 stars

2 customer reviews

Amazon Best Sellers Rank:

#11,701,408 in Books (See Top 100 in Books)

Not really all that useful, Kaplan, Barron's and REA guides are better. Acceptable for a quick skim and the practice tests. The exam is difficult, pace yourself carefully and you will probably do better than you think.

Shipping was fast and the communication with seller was great. I am happy with my purchase and book was in great condition!!

Master the Miller Analogies Test 2004 (Arco Academic Test Preparation Series) PDF
Master the Miller Analogies Test 2004 (Arco Academic Test Preparation Series) EPub
Master the Miller Analogies Test 2004 (Arco Academic Test Preparation Series) Doc
Master the Miller Analogies Test 2004 (Arco Academic Test Preparation Series) iBooks
Master the Miller Analogies Test 2004 (Arco Academic Test Preparation Series) rtf
Master the Miller Analogies Test 2004 (Arco Academic Test Preparation Series) Mobipocket
Master the Miller Analogies Test 2004 (Arco Academic Test Preparation Series) Kindle

Master the Miller Analogies Test 2004 (Arco Academic Test Preparation Series) PDF

Master the Miller Analogies Test 2004 (Arco Academic Test Preparation Series) PDF

Master the Miller Analogies Test 2004 (Arco Academic Test Preparation Series) PDF

Master the Miller Analogies Test 2004 (Arco Academic Test Preparation Series) PDF

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