Download Ebook Writing Better Lyrics, by Pat Pattison

Download Ebook Writing Better Lyrics, by Pat Pattison

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Writing Better Lyrics, by Pat Pattison

Download Ebook Writing Better Lyrics, by Pat Pattison

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About the Author

Pat Pattison is a professor at Berklee College of Music, where he teaches lyric writing and poetry. His books include Writing Better Lyrics, The Essential Guide to Lyric Form and Structure, and The Essential Guide to Rhyming. In addition, Pat has developed three online lyric writing courses for Berklee’s online school, and has written articles for a variety of industry publications. His internationally successful students include multiple Grammy winners John Mayer and Gillian Welch. He lives in Boston, Massachusetts.

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Product details

Paperback: 304 pages

Publisher: Writer's Digest Books; Second edition (January 8, 2010)

Language: English

ISBN-10: 1582975779

ISBN-13: 978-1582975771

Product Dimensions:

5.5 x 1 x 8.4 inches

Shipping Weight: 11.4 ounces (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

213 customer reviews

Amazon Best Sellers Rank:

#8,822 in Books (See Top 100 in Books)

This is an excellent book which not everyone will like.If you want a book that you can skim through with lots of lists that you can quickly digest, put into use and immediately improve your songwriting, then buy something else like Robin Frederick's book "Shortcuts to Hit Songwriting: 126 Proven Techniques for Writing Songs That Sell", which is a great book in its own right:(http://www.amazon.com/Shortcuts-Hit-Songwriting-Techniques-Writing/dp/0982004001 ) .This book requires work, dedicated concentration and more than anything else, practice. You can easily live with this book for 6 months or more. Pattison's approach is very analytical and it deals only with lyrics and how to communicate them in a way that best transmits the emotional effect which the songwriter has in mind. The book goes far beyond Pattison's Coursera Songwriting course and his Youtube video lectures.I have found that for me, his techniques work best in rewriting my songs. There is so much here, that it is difficult to implement it all in the real-time process of songwriting. But once I have written a song, I can go back and apply his techniques to improve my songs. Especially interesting is his technique to use the 5 rhyme-types (perfect, family, additive/subtractive, assonance, consonance) and a rhyming dictionary as a search engine to brainstorm ideas to write a song from a concept or a title. I have never heard anyone else use this method, but I find that not only does it work for me, it also opens my ear to more easily find rhymes other than the perfect rhyme.Some people will not have the patience to work through this book, and for them, it will be a waste of money to buy. But I really like the book and it has taught me a lot of useful information to improve my songwriting.

the ideas and systems being set in place very early on in this book have gotten me more focused and thoughtful of the craft. it is a great book, one I knew I would want in a hardcopy, not kindle, as it feels better reading it in a book for some reason. that said, if you are struggling with writing lyrics or just need a boost, this is top advice from a master of the method. very much worth the money. there are a lot of excercises. I am doing some of them, most, but not doing all if they seem too much. there is a lot of emphasis on a writing class, which sounds nice, but I am not in one, so this is the next best thing. I think people already writing lyrics would do well to buy this.

I have never been a lyric writier. I wanted to remedy that deficiency. But do I have the talent, creativity, skills to do it? The books I had bought to help me weren't helping. They dispensed facts. Prosody, rhyme, form, blah, blah. This book is different. Pat is a real, breathing teacher. From the first chapter, he has you on a program designed to rewire the way you think--to harvest the rich garden of word memories you have stored away in your brain. To systematically build tables of nouns and verbs that will serve your song. To then really understand rhyme and prosidy. You learn by doing--not by reading and examining other people's songs. It's all about you and your innate skills plus the necessary new skills to harness them. I feel liberated!

I heard about this author and book from CD Baby’s podcast, DIY Musician. After songwriting for over two years, this is my first lyric help book I have purchased and while I’m only on page 27, so far I have not been disappointed. Pattison gives a nomenclature for techniques I was already using and expands and encourages the reader in those areas. It has been a creative blast for someone not only to give me permission but to give me an assignment to engage daily in creative writing. Regarding the very first exercise, daily 10-minute Object Writing, instead of picking random objects, pick objects/concepts within current song ideas you’re developing and apply his other concepts within that time. Powerful exercise. Thank you, Pat! Write on, creatives!!

Great book! I have been trying to tap into my creative side a bit more and get over my writer's block. This is definitely helping! It goes in depth on the structures of writing, rhyming, metaphors, and tons more. I especially love object writing, as it's helped a lot with new material and tapping into the "showing" side of my lyric writing and just seeing things in general in a more visual way. I definitely recommend this book, along with The Artist's Way.

Like all art forms, lyric writing is subjective. For some, this book is a 5 star eye opener, for others it will be a 2 star snooze. Me, I'm kind of right in the middle. It can be a little over analytical, for my taste, but there are some very useful tools in in here that will definitely expand your horizons. I'd be hard pressed to believe that any writer couldn't find value on these pages. No doubt I will be implementing several techniques going forward. Go in with an open mind and you'll find this a resourceful read.

Bought one for me. After browsing through the book I thought my friend would also find this useful so I bought one for him as well. This gives you strategies and homework to help with your song writing. I am only a couple chapters in but I like what I have seen so far.

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PDF Ebook The Night Garden, by Polly Horvath

PDF Ebook The Night Garden, by Polly Horvath

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The Night Garden, by Polly Horvath

PDF Ebook The Night Garden, by Polly Horvath

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From School Library Journal

Gr 4–6—World War II hasn't affected 12-year-old Franny's rustic, idyllic life on Vancouver Island, BC. While her mother Sina sculpts, she writes and explores the many gardens tended by her father, Old Tom. But there is one garden he forbids Franny to enter: the ancient night garden. Legend says that a person can make one wish while in the night garden and it will come true, but that wish cannot be undone. Contented Franny has little interest in wishes until the family's peace is disrupted: a neighbor suddenly leaves her three children with Sina while she goes off to prevent her husband, a mechanic who works on top-secret military planes, from doing "something terrible." The neighbor kids and Franny become embroiled in the mystery surrounding the mechanic when letters from him arrive containing ominous clues to his intent. The children see the night garden as their only chance to help, so they defy Old Tom and test the garden's legend. Franny's first-person narration, rich with droll insights, balances the plot's tension and reveals her awareness of the extraordinary magic that envelops her farm, "alive and breathing with suppressed something." National Book Award winner Horvath writes with accessible eloquence, making what would be fantastical in another setting quite plausible on this island populated with whimsical, winsome characters. VERDICT Thoughtful, hilarious, and moving; repeated readings reveal even more to appreciate in this superbly crafted tale. An essential purchase for all middle grade collections.—Marybeth Kozikowski, Sachem Public Library, Holbrook, NY

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Review

“Horvath infuses her novel with such heart, zest, and humor in the small moments that she’s created a book her devoted fan base will cherish. Notably, the denizens of Vancouver Island have a delicious lack of separation between adult and child―all are wholeheartedly curious, beautifully flawed, and deeply amusing.” ―Booklist, starred review“Events glide from the domestic to offbeat to the supernatural without any friction, creating a world where anything is possible . . . [A] story of community and love and families in all their messy glory.” ―The Bulletin of the Center for Children's Books, starred review“Horvath’s bright prose and unerring sense of timing keep us turning pages to arrive at the book’s final, transcendently profound, scene.” ―Horn Book“The quirky characters and Franny’s dry-humored narration stand out as Horvath invokes classic literary elements of orphans, secret gardens, and found families.” ―Publishers Weekly“Thoughtful, hilarious, and moving; repeated readings reveal even more to appreciate in this superbly crafted tale. An essential purchase for all middle grade collections.” ―School Library Journal

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Product details

Age Range: 9 - 12 years

Grade Level: 4 - 6

Lexile Measure: 830L (What's this?)

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Hardcover: 304 pages

Publisher: Farrar, Straus and Giroux (BYR) (September 12, 2017)

Language: English

ISBN-10: 0374304521

ISBN-13: 978-0374304522

Product Dimensions:

5.7 x 1.1 x 8.6 inches

Shipping Weight: 13.6 ounces (View shipping rates and policies)

Average Customer Review:

3.5 out of 5 stars

2 customer reviews

Amazon Best Sellers Rank:

#814,302 in Books (See Top 100 in Books)

This is a strange and funny tale with quirky characters. Going into it I had expected a Gothic Middle-School mystery with a hint of paranormal but got something quite different. Let's put it this way, if Anne of Green Gables, The Secret Garden and Lemony Snicket were mixed together out would pop The Night Garden as their bookish concoction.Franny (ie. Anne) is our wayward orphan who speaks her mind and is left with Sina and Old Tom (Marilla and Matthew). We have the eerie Night Garden (a dark, murky, supernatural version of Mary Lennox' famous garden) and a mishmash cast of peculiar characters (a la Snicket). The off-beat and often funny dialogue made this book for me. It had the right amount of sarcasm and great one-liners that had me, quite literally, chuckling out loud.But ... I was surprised and more than a little let down that the Night Garden, the title 'character', barely made it into the book and was underutilized. I had expected less of the missing plane mystery (which just wasn't riveting) and more focus around the eerie goings on in the garden.In the end, this is a strange tale with some memorable, quirky characters, eye-catching cover and solid writing. There's a lot going on and for the most part it worked but more focus on the mystery and the Night Garden would have made this a better read for me.Disclaimer: My sincere thanks to Puffin Canada for providing me with a complimentary copy of this book in exchange for my honest review.

Franny, 12, and her parents, Sina and Old Tom, live a peaceful life on a farm on Vancouver Island during WW2. Their troubles revolve around the creative process (Sina is a sculptor and Franny writes.) and the seasonal work of the farm — until Crying Alice, their neighbor, arrives with an unusual request. She wants Franny, Sina and Old Tom to watch over her 3 kids while she tries to prevent her husband, an air force base mechanic, from doing something stupid. Supernatural events, crazy mysteries and very bad cooking ensue! Polly Horvath writes with such quirky warmth, and has such a multiplicity of odd mostly well meaning characters, that you won’t want to leave the world of the novel. Recommended for readers 9 – 12 as well as anyone who loves a good story. The beauty of the book is its love of family and the willingness of some to sacrifice their greatest gifts for others to be able to hold onto family.

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Ebook , by Sharon LaPlante

Ebook , by Sharon LaPlante

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, by Sharon LaPlante

Ebook , by Sharon LaPlante

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Product details

File Size: 4691 KB

Print Length: 152 pages

Simultaneous Device Usage: Unlimited

Publication Date: August 23, 2018

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B07GSL77KV

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Amazon Best Sellers Rank:

#180,470 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

It is very easy to look up either butterfly or plant varieties. The index is very extensive.The shrubs, vines, and trees are listed together in table form. Should help significantly when plant-hunting.This is a must have field guide for anyone interested in butterfly gardening in central florida.

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Download Men, Women, and Chain Saws: Gender in the Modern Horror Film - Updated Edition (Princeton Classics), by Carol J. Clover

Download Men, Women, and Chain Saws: Gender in the Modern Horror Film - Updated Edition (Princeton Classics), by Carol J. Clover

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Men, Women, and Chain Saws: Gender in the Modern Horror Film - Updated Edition (Princeton Classics), by Carol J. Clover

Download Men, Women, and Chain Saws: Gender in the Modern Horror Film - Updated Edition (Princeton Classics), by Carol J. Clover

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Review

"[A] brilliant analysis of gender and its disturbances in modern horror films. . . . Bubbling away beneath Clover's multi-faceted readings of slasher, occult, and rape-revenge films is the question of what the viewer gets out of them. . . . [She] argues that most horror films are obsessed with feminism, playing out plots which climax with an image of (masculinized) female power and offering visual pleasures which are organized not around a mastering gaze, but around a more radical "victim-identified' look."---Linda Ruth Williams, Sight and Sound"Carol Clover's compelling [book] challenges simplistic assumptions about the relationship between gender and culture. . . . She suggests that the "low tradition' in horror movies possesses positive subversive potential, a space to explore gender ambiguity and transgress traditional boundaries of masculinity and femininity."---Andrea Walsh, The Boston Globe"Clover makes a convincing case for studying the pulp-pop excesses of 'exploitation' horror as a reflection of our psychic times."---Misha Berson, San Francisco Chronicle"Clover actually bothers (as few have done before) to go into the theaters, to sit with the horror fans, and to watch how they respond to what appears on screen."---Wendy Lesser, Washington Post"In her reading of both particular horror films and of film and gender theory, Clover does what every cultural critic hopes to: she calls into question our habits of seeing."---Ramona Naddaff, Artforum"Clover, takes the most extreme genre, horror flicks, seriously. There is no condescension in this significant and probing discussion of psychology and sexuality and their role in lurid fantasy."---Desmond Ryan, Philadelphia Inquirer"Fascinating, Clover has shown how the allegedly naïve makers of crude films have done something more schooled directors have difficulty doing - creating females with whom male veiwers are quite prepared to identify with on the most profound levels" (The Modern Review)"It's easy to see why this book is considered such a landmark in film analysis."---Rod Lott, Flick Attack,

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From the Back Cover

Gender In The Modern Horror Film. Do the pleasures of horror movies really begin and end in sadism? So the public discussion of film assumes, and so film theory claims. Carol Clover argues, however, that these films work mainly to engage the viewer in the plight of the victim-hero - the figure, often a female, who suffers pain and fright but eventually rises to vanquish the forces of oppression.

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Product details

Series: Princeton Classics (Book 15)

Paperback: 280 pages

Publisher: Princeton University Press; Updated ed. edition (May 26, 2015)

Language: English

ISBN-10: 0691166293

ISBN-13: 978-0691166292

Product Dimensions:

5.4 x 0.8 x 8.4 inches

Shipping Weight: 9.6 ounces (View shipping rates and policies)

Average Customer Review:

3.2 out of 5 stars

15 customer reviews

Amazon Best Sellers Rank:

#54,464 in Books (See Top 100 in Books)

Holy frijoles, this book presents an intriguing view of gender challenges in the tradition of horror flicks. Though Clover's primary focus is on the 70s/80s era of slasher films, it's interesting to see her ideas still at play and even extended--that this book itself has helped evolve the horror genre. Maybe it hasn't evolved in the post positive of directions, but we ARE talking horror, people, and Clover's analyses lay a spectacular groundwork of gender challenges and sexual incapabilities that drive so many films. While her ideas about the Final Girl, the female who survives and sometimes even succeeds against the killer and represents the female victim of the movie viewers as well, is what put this book on the map, Clover also examines quite adeptly possession films, rape-revenge, and also the assaulting perspective of horror films. A fascinating read.

Men, Women, and Chainsaws is a film theory book that I've heard referenced since I've been getting more interested in gender and horror. I couldn't get it for years because it was out of print and/or super expensive, but now it's reprinted and accessible. I was daunted at first because I know from literature that theory books aren't always the most entertaining read, but the majority of the book is easily readable and engaging. Carol Clover lays out the formulas for three different horror subgenres and references numerous films (mostly in the 70's) to support her claims as well as other film theorists, Freud, 17th and 18th century views of gender, among others.The first chapter, focuses on the formula for slasher films. The villains are typically frozen in development in some way like Michael Meyers or have some sort of muddled sexuality like Leatherface. Most of them have an overbearing mother or some sort of obsession with their mother like Norman Bates. Their choice of weapons are knives and chainsaws instead of guns. Their victims can be male or female, usually young adults, but the final one is always female. This final girl is more aware of her surroundings, less distracted, and usually romantically unavailable. Clover theorizes that she's more masculine so the male audience can relate more to her than the other more feminine and frivolous teen victims. Sometimes the final girls only survive by sheer chance, but others survive due to fighting back. Clover calls her the victim-hero because she suffers through the whole film watching her friends die, being hunted, and knowing that she's being hunted. Looking at this formula in the present, I see plenty of films that follow it, but in recent years, many break out of or mock this formula like Tucker and Dale vs. Evil and Cabin in the Woods.The second chapter illustrates the formula for possession films. The person (or thing in the case of Christine) possessed is almost always female because they are more vulnerable to the supernatural and underneath all their decency, they still could become witches. They are usually possessed by male entities and act in horrific ways outside of how women should act, like grotesque sexuality and foul language. These possession stories are never actually about the women being possessed, but about what that possession means to a man in the situation. I don't think I realized this was a feature in every film in this subgenre and it makes sense why it's one of my least favorites. The women are violated and essentially raped, only to serve as a journey for the man on the outside rather than one for that woman. A prime example is The Exorcist where Reagan and her possession serve as a spiritual epiphany for Father Merrim in his crisis of faith while Reagan remembers nothing of her ordeal. I haven't seen a whole lot of change in this genre in recent years. The possessed tend to be more violent rather than sexual, but the possession as a vehicle for male character and plot development still happens all the time.The third chapter focuses on rape revenge films, which is a genre I'm honestly not very familiar will. Clover talks about how along with the gender conflict, a country and city conflict that goes along with that. The country folk are poor, unhealthy, uneducated, and unemployed. They might also have sexually depraved relationships with animals or their own family members. They blame their improverished situation on city people due to industrialization destroying nature and big businesses crushing their smaller businesses. The city people are either women or considered feminized men. The country people attack and violate city people for revenge, only to have those people come back to exact revenge as well. The lower versions of rape revenge films have women exacting their own revenge, which gives them agency and power. It also often criticizes the justice system that rarely works in favor of these rape victimes. The more celebrated versions like The Accused have the justice system come out in their favor and obscure that criticism. The remade versions of these films seem to be glossier versions that don't bring anything new to a modern audience. Although these films can be exploitative and uncomfortable to watch, I have renewed interest in watching them because of Clover's analysis.The last chapter is about meta horror films. More obviously meta films like New Nightmare, Scream, and Cabin in the Woods hadn't been made yet, so Clover's focus is the film Peeping Tom. Mark films his female victims while he kills them, making the audience view the scene through his eyes. He recreates scenes reflected from his own abusive childhood. Clover puts forth that this film critiques the masochistic viewer looking at the sadistic filmmaker's violent production. This chapter as a whole is more scattered and less focused, mostly because of the state of meta horror at the time. I would love to see her or anyone else take a second analytic look at these same (plus more) genres and analyze how they have changed or stayed the same.Men, Women, and Chainsaws has an illuminating look at horror genres still alive and well today. Clover has some strong arguments and views films and subgenres. I don't always agree with her rationales or citations. I don't agree with Freud's psychoanalytic theories and I don't think a single sex model (where men and women are essentially the same gender) is an accurate representation of cinema. She talks a lot about how cameras and weapons of various types are phalluses that the final girls then take for power at the end of the films. In some cases, like the sexually charged scene in Texas Chainsaw Massacre 2 between Leatherface and Stretch, I can see how it would be considered to be that, but I think it's overreaching at times. Overall, this film theory book offers a solid breakdown and analysis of different subgenres and how men and women are treated in them.

Nothing against the content or writing-- the one star review is for the digital download of the AZW ebook format, which is incompatible with the Kindle Paperwhite, and will not download to the device.Viewing the book on a computer's Kindle app, the book is basically a PDF scan (the amazon AZW4 format is pdf-like, with heavy DRM restrictions ensuring it can't be converted to a more readable format). Because the ebook is a simple, image-based scan, quality is fairly low to keep the file-size down, so even if you do have a Kindle-style device that is compatible with the file format, it is still grainy and hard to read.

The print on Kindle version I received is so poor that I cannot read it.

A complex read, especially the chapter on rape-revenge films. An interesting analysis of slasher, possession and rape revenge films.

Useful and comprehensive; a must-read for film critics and anyone interested in the horror genre.

good read

Arrived on time and as described.

Men, Women, and Chain Saws: Gender in the Modern Horror Film - Updated Edition (Princeton Classics), by Carol J. Clover PDF
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File Size: 2626 KB

Print Length: 386 pages

Publisher: Simon & Schuster (May 20, 2010)

Publication Date: June 8, 2010

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B003BHM85O

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The Facebook Effect provides an insider's view of what Facebook was like in the early days. One of the most interesting aspects of the story is how uncertain the success of the company was. At many points it seemed like the company bordered on the line of crisis, but Zuckerberg and his team were able to adapt and handle the challenges.The book is engaging as it tells the story. One of the more interesting stories was when one of the original owners of Facebook decided to not pay the bill for the Facebook servers. Tensions around this event ran high and the company was fortunate to survive this event unscathed.It seems this is the only novel which was granted behinds the scenes access to the actual story and provides some insight to Zuckerberg's thought process.I found the parts about the impact of Facebook on society to be less impressive as many of the insights seemed like common sense to me. It would have been nice to see more analysis of the role Facebook plays in society. Although it appears the goal of the book was to focus on the Facebook story.

This book is a tale of a company born a few years ago that has taken the global business and technology by storm. Whats even more fascinating is that it was created and continues to be run by a bunch of kids in their mid twenties,What I really liked about this book is that it focused strictly on the business and professional aspect and didn't bother to get involved in any of the politics or gossip. It seems that whenever there is a quick success story that comes in a short period of time, many people tend to try and dig dirt on the company and/or its founders. While it is true that there were issues behind the scenes and some disgruntled partners or ex-partners, the reader simply gets a look inside the growth of this company and how it transformed online social networking into something that people cannot live without.I highly recommend this book to anyone that is interested in general business, technology or simply inspiration and motivation.You will definitely not be disappointed.

What features of facebook led to its instant success, and who deserves the credit? Why has facebook continued to grow while other social networks faltered at earlier stages? How did facebook make money at various stages of development? What caused facebook's various missteps? Does facebook really care about privacy? David Fitzpatrick gives convincing answers to these questions that have been hotly debated among users for years. The book suffers at times from gushy editorializing, but overall the reporting is balanced (with a few exceptions), and readers can weigh the facts on their own.Fitzpatrick identifies several features that differentiated facebook from the rest. School networks offered a controlled community. Users felt comfortable projecting their true identities online in this setting. The site was easy to use, and didn't try to do too much too soon. Long-run growth was always a stronger priority than short-term ad revenue. Mark Zuckerberg's immaturity during his college age years is clear, but he ultimately nails the most important strategic decisions. He was not a mere caretaker of a simple idea at the right time.The book touches on the personal conflicts made famous by the Social Network movie. The motives behind Eduardo Saverin's sacking are carefully reported. In contrast, key facts are missing in Fitzpatrick's treatment of the Winklevoss/Narendra ConnectU lawsuit. Fitzpatrick makes a convincing case that ConnectU's business plan was inferior to thefacebook's, but he glosses over how Zuckerberg sabotaged their site for months. Zuckerberg's AOL IMs from this era (referenced in the 12/30/10 NYT) reveal he viewed them as a competitor, and this calls into question Fitzpatrick's judgment that Zuckerberg was merely guilty of being "rude" and "uncooperative." Future editions of the book should incorporate more accurate information about the case.Another weakness is the book's failure to address contradictions in facebook's views on privacy. For example, he asserts in the prologue that facebook "has always been explicitly conceived and engineered by Zuckerberg and colleagues as a tool to enhance your relations with your real-world friends" But later we learn that Zuckerberg is always pushing people to be more transparent, and that voyeurism was part of facebook's success from the beginning at Harvard. Who seriously believes facebook has never encouraged voyeurism outside of your circle of real friends?Yet the book's most lasting impression is Zuckerberg's resolve in prioritizing facebook's utility over its profits. Knowing how close friend Sean Parker lost control of his past ventures, Zuckerberg is careful not to let future investors take control of his baby. Understanding this is also crucial to understanding the controversy behind facebook's delays in going public. Without Zuckerberg's patience, facebook would have been far less useful as a tool of Viacom, News Corp, Yahoo, Microsoft, or Wall Street. For this, Zuckerberg is worthy of the rosy picture painted in this book, despite his sins.

First I saw the movie "Social Network". But as I was watching it I kept telling myself "Self... something is wrong here. There is NO WAY that a person could be such a monumental JERK as portrayed in the movie, and build a company with a perceived value of $100 billion. NOBODY would work for him long enough to get it that far."So then I started investigating and was glad I found the reviews on THIS book. Why it has not been made into a movie is a mystery. The numbers and growth rates that are reported here are simply incredible. The main premise for Mark Zuckerberg's creation still seems to be pure, from what I can tell with reports that followed the public offering of stock. This book truly humanizes the people behind Facebook -- which I do not use, by the way.

This book is a good read for Facebook Fans or just plain tech fans. The story of how Facebook started at Harvard is fascinating. The only problem with this book is when it was written. I'll bet there is one that was written later out there.This turned out to be an excellent time to read this book because during the time I was reading it Facebook bought WhatsAp and therefore there was a lot about Facebook in the news. Reading this book gave me a better understanding of the news articles. If you are at all interested and use Facebook yourself I highly recommend reading this.

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PDF Download , by Jim Harrison Ted Kooser

PDF Download , by Jim Harrison Ted Kooser

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, by Jim Harrison Ted Kooser

PDF Download , by Jim Harrison Ted Kooser

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File Size: 1134 KB

Print Length: 90 pages

Publisher: Copper Canyon Press (December 18, 2012)

Publication Date: December 18, 2012

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B00APD9VL6

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Amazon Best Sellers Rank:

#711,572 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

Too much wisdom here to comment. Too much hurt to recycle. Too much beautiful poetry to share with anyone other than yourself. I read this at 3:12 a.m., thinking anything Kooser-related would allow me a return to peaceful sleep ("splitting an order" or "at the cancer clinic" allows for grace without pity). But I underestimated Harrison, whose dark reality would keep a drunkard awake. Jim, please stop making me face reality. Ted, thank you for providing the grace to accept it. Anyway , it 's nearly 5 a.m. now, one potential final hour before hot tea. So I will move on to some modernist like Auden or Eliot where the words don't cut as deeply.

I love this volume of poetry. The work springs from simple daily moments that will make you want to leap out into the back yard before you miss something. Lively, touching, funny, insightful. I love that these two men were friends who wrote poems back and forth and I am privileged to get a little glimpse of that friendship.From the author of: Unexpected Innocence

Just when you begin to fear that text messaging and email have replaced real writing, that slogans and catch-phrases have replaced real thought, and that no one gives a damn about the English language any more... this wonderful book comes along to restore your faith and spirit!Before I began to read it, it seemed odd to me that none of the poems are attributed. Once I started reading, I realized immediately that this was a wise and marvelous choice by these two. As one of them notes, "Everyone gets tired of this continuing cult of the personality... This book is an assertion in favor of poetry and against credentials."I am enormously grateful to these two superb writers for allowing us to share a glimpse into their friendship and their thoughts. I'm giving it to everyone I know who deserves it.

I own both Braided Creek and Winter Morning Walks, myself, and have found them so engaging I sent them to my brother-in-law who also loves poetry. He is completely enchanted with them. The words 'engaging' and 'enchanted' don't do justice to what the poems give to and ask of a reader, but do describe the feeling a reader can have when addressing the poems of both of these authors - so different, but so articulate and skilled.

"Braided Creek" reads like a series of aphorisms. These very short verses are arranged in an arresting sequence that is a mix of feelings, observations, experience, reflections and impressions. I had expected them to be a bit disjointed, since they were done by two people some distance apart, but Harrison and Kooser have a kind of remote telepathy, almost like they were reading each other's minds and changed one body for another.

What could be better than correspondence between two great poets? Correspondence in poetry. I adore this book. The poetry is wonderful and you can feel the warmth shared by these wonderful men in every stanza.

While walking, golfing, watching baseball, drinking wine with my wife, playing with my dogs, this book is always always in my back pocket.

Beautiful little snippets of poetry, but I would have been glad to have the respective writers identified.

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File Size: 3974 KB

Print Length: 117 pages

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Publication Date: January 28, 2019

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Language: Spanish

ASIN: B07N7SY5C2

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Amazon Best Sellers Rank:

#152,427 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

Las técnicas y consejos de este libro además de los medios usados para desempeñar esta actividad realmente funcionan. No hay otro libro igual en el mercado creo yo. Solo tienes que seguir paso a paso cada una de las maneras de hacer dropshipping con cada plataforma y lo demás es solo constancia y trabajo duro. El dinero fácil no existe y mas aún cuando te conviertes en dueño de tu propio negocio. Sin miedo al cambio, sin miedo a lo que digan los demás. Esto funciona, y yo soy la prueba. Recomendado 100%

No soy de los recomiendo este tipo de libros porque no creía mucho en la frase que muchos mencionan que es la de hacer dinero por internet. No es el modo en como me criaron y me enseñaron que se podía tener dinero. Pero cuando compré este libro, un mundo inmeso de posibilidades se abrió delante de mi. Es la mejor manera en que puedo empezar este nuevo año y realmente no me arrepiento, el dinero que gasté en él es una inversión que la recordaré el resto de mi vida.

Conocía de este libro en inglés pero me alegro mucho que también exista la versión en español. Es bastante bien explicado, con sentido y muy bien escrito. La forma en como explican los métodos para desarrollar la idea de negocio con el dropshipping es realmente excelente en comparación con otros libros. Lo recomiendo 100%.

Libertad financiera es un término bastante interesante y muy tratado desde el año pasado. Este 2019 he decidido inciar con ese cambio, con ese modo de pensar y con ese objetivo de tener mi libertad financiera. He leído este libro de pies a cabeza y entendido cada uno de sus temas, y hoy en día que los he iniciado a poner en práctica puedo decir que realmente valen la pena y que se puede avanzar, se puede iniciar ese camino y andar hacia adelante con la idea de tener no solo la libertad financiera de la que hablo sino la libertad de hacer lo que amo y dedicar el tiempo a los que amo. Lo recomiendo totalmente!

Si bien esta práctica tiene ya mucho tiempo realizandose en diferentes modos, con las plataformas que se mencionan aquí se pueden obtener beneficios mucho más rápido y en modo seguro y tranquilo. Necesitas trabajar constantemente y tener una fuerza de voluntad muy grande, pero si lo haces verás como poco a poco los resultados inician a salir a la luz y te darás cuenta que las plataformas que menciona son de demasiada ayuda cuando se trata de generar esos ingresos. Las redes sociales son el modo que mas uso para realizar mi actividad y no miento; el dropshipping hecho en ese modo realmente funciona!

La actividad del Dropshipping no es algo nuevo, pero está teniendo un excelente auge ahora con el internet. Realmente lo que he encontrado en este libro ha sido muy interesante y sobretodo me ha permitido aumentar mi productividad. Como lo dice mi título, tienes la posibilidad de tener un nuevo estilo de vida siendo el jefe de tu propio negocio. Todo es cuestión de entrega y trabajo duro, porque el dinero no llegará fácil. Pero si lo trabajas en el modo correcto tendras los beneficios que tanto has querido. Te lo aseguro!

Los consejos de esta práctica son realmente importantes y el modo en el que te los dicen aquí mucho más. No se necesita ser un gurú del internet o de los negocios, se trata solo de dedicación y que sepas escuchar los consejos y seguir lo que se menciona aquí. Es claro, con el pasar del tiempo deberás iniciar a hacer tus propias pruebas pero para dar el paso inicial necesitas un libro como este. No hay duda que el que sigue consejo, llega a viejo y con este libro lo puedes hacer con mucho dinero.

Si tienes muchas dudas y temor es momento que dejes de sentir todo eso. Los negocios en internet te dan la posibilidad de tener y avanzar en el modo en que realmente quieres hacerlo. No lo dudes, ni pierdas la fe. El modo de hacer negocios en internet es un modo bastante simple muchas veces, pero necesitas libros como este que te sepan guiar y con el que puedas avanzar. Lo lograrás con tan solo meterle ganas y empeño a lo que haces. Compra este libro, esta guía y confirmarás lo que he escrito.

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