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Spies in the Congo: America's Atomic Mission in World War II
Download Ebook Spies in the Congo: America's Atomic Mission in World War II
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Review
“A clever book.” —London Review of Books“An excellent contribution to the history of intelligence, Africa, World War Two and Atomic Power.” —The Cipher Brief“A commendable addition.” —New York Journal of Books“Authentic and well-documented…fascinating and intricate.” —Galveston County Daily News“A dense and engaging work on a key aspect of the Manhattan Project….Chock-full of spies and their fanciful code names as well as insightful accounts of the jealousies between the American and British. A fine complement to other accounts of wartime efforts to keep atomic weapons from the Germans.” —Kirkus Reviews“Readers will not regret learning about the activities of some of America's least heralded spies…Williams's niche but engrossing story offers new insight on intelligence activities in sub-Saharan Africa during WWII.” —Publishers Weekly“A well-paced read based on archival documents, this work should appeal to those interested in the history of World War II, special operations, and the origins of the nuclear age.” —Library Journal“Gripping…A little-known story, but one with a terribly familiar ring—and ultimately devastating consequences.” —The Economist“Susan Williams' new, meticulously researched book has shades of Graham Greene, a hint of Conrad, even echoes of Indiana Jones…truly a thriller.” —The Guardian“Meticulously-researched and masterfully written…A real-life spy thriller.” —Joe Lauria, The Huffington Post“A remarkable discovery…To have found in the history of the Second World War a million square miles of unfamiliar territory–the Congo–is an achievement in itself. On top of that, Williams' story is thrilling.” —The Telegraph“Nuanced but gripping...Williams does a sterling job of delineating a complicated plot while at the same time giving a clear sense of the characters of the major players.” —The Spectator“Chilling… Spies in the Congo is an espionage classic. Scrupulously researched, it illuminates a barely-known aspect of arguably the most significant event of the 20th century, giving fresh perspectives. “ —The Scotsman“Williams tells a story that is sometimes comical, sometimes tragic, but always riveting.” —History of War“This is an extraordinary and fascinating story, revealed here with all the detail and pace of a well-crafted thriller.” —Alexander McCall Smith, author of The No. 1 Ladies' Detective Agency“Williams reveals, with painstaking research and delightful prose, the conspiracies that transformed the Congo into the chessboard for superpower politics. This may seem like a far-gone era, but the repercussions of Shinkolobwe and Hiroshima are alive in the imaginations and politics of the Congo today. An important history, and a superbly crafted story.” —Jason Stearns, author of Dancing in the Glory of Monsters“With wit, insight, and a fabulous story-telling ability, Susan Williams has taken a crucial but little-known piece of nuclear history and turned it into a remarkable tale of espionage, intrigue, romance, and murder that will keep readers riveted from start to finish. Those who thought they knew the history of the development of the atomic bombs are in for a big surprise. A magnificent achievement!” —Peter Kuznick, Professor of History and Director of the Nuclear Studies Institute, American University, and co-author (with Oliver Stone) of The Untold History of the United States
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About the Author
Dr. Susan Williams is a senior research fellow at the Institute of Commonwealth Studies, University of London. Williams s research is archive based; her research has taken her to many countries in Africa, Europe and North America. Susan served as historical adviser to the independent Hammarskjold Commission, which was founded in direct response to Wiliams previous book, "Who Killed Hammarskjold" and released its report at the Peace Palace in The Hague in September 2013. She has published widely on Africa, decolonization, and the global power shifts of the twentieth century, receiving widespread acclaim for "Colour Bar" (Penguin, 2006), her book on the founding president of Botswana. Other recent books include "The People s King" (Penguin, 2003) and "Ladies of Influence" (Penguin, 2000), as well as edited volumes including "The Iconography of Independence: Freedoms at Midnight " (2010)."
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Product details
Hardcover: 432 pages
Publisher: PublicAffairs; 1 edition (August 9, 2016)
Language: English
ISBN-10: 1610396545
ISBN-13: 978-1610396547
Product Dimensions:
6.5 x 1.5 x 9.5 inches
Shipping Weight: 1.6 pounds (View shipping rates and policies)
Average Customer Review:
3.6 out of 5 stars
10 customer reviews
Amazon Best Sellers Rank:
#413,831 in Books (See Top 100 in Books)
Interesting story but too much soap opera drama and not enough factual material in it. The disc was good and the narrator was good. I was expecting to learn more about the mining and intrigue of the Congo uranium mining than this drama contained.
Do you know where the Uranium ore came from that went into America's atomic bomb? This story along with the efforts to keep ore out of Nazi hands is an interesting side note to the history of the atomic bomb.
good
The author knows her subject. It is well written and tells a story that has not been told in as much detail. I appreciated the way the Americans and English always referred to diamonds so that no one would know they were talking about uranium. Even the 007 novel Diamond's are Forever, was actually based on MI-6 in Africa intercepting uranium smugglers but always referring to it as diamonds. If you are interested in the OSS and MI-6 operations during WWII then you will find this a book well worth skimming. If you are looking for a spy thriller then this is not for you. My personal pet peeve was that there was much detail and discussion of personalities that documented the day to day activities but did not help explain anything. The next book for Ms. Williams would logically be to track down and interview those in Washington who were making the decisions and moving agents around the world to acquire all of the weapons grade uranium for the Manhattan project while preventing the Nazis from getting any without giving away how important it was.
Excellent research on important period.
Thorough research on a topic that did not need thorough research. Filled with way too many details, this poorly edited book recounts how the government kept a close watch on the uranium mine in the Congo from which it took the raw material for the bombs dropped on Japan. It will be of interest perhaps to families of the spooks involved, many of whom died prematurely because no precautions were taken to limit their exposure to radiation. Questions that are NOT covered in the book are a more in-depth examination of why the Germans did not give the hunt for uranium a higher priority, why the Japanese interest in uranium discovered AFTER WW II, was unknown at the time, whether the US really should have dropped the bombs since many knew that Japan had been defeated and would soon surrender without the need for bombs, among others. There were several attempts on the life of one of the key characters, but the book does not delve into who might have been behind the attempts. I read this book because it was a choice of a book club. The book club ended up discussing WW II and the bomb more broadly, rather than the intricacies of the Congo spying.
Good, but plainly written.
What a terrific story -- how the United States surreptitiously moved the world's greatest and richest uranium ore out of the Belgian Congo in the early years of World War II for eventual use in fabricating the atomic bomb. So much has been written about the Bomb, but relatively little about the elements that went into the making of that awful weapon … and the people around the globe who, wittingly or unwittingly, had a hand in helping make it happen.But I learned very little about uranium, bomb making, or the Congo in "Spies in the Congo/America's Atomic Mission in World War II." First and foremost, this is a book about spying. Lots of spying. And there are so many names in this book that the author or publisher wisely included a seven-page "cast of characters" at the beginning of this book to help the reader along. I found the abundant, and at times confusing, number of names and personalities introduced in this story to have compromised the narrative story line. It's hard to see the big picture when it's clouded with so many little stories and back-stories. Readers will have to contend with a lot of detail and minutia and tedium as they hack their way through the dense Congo underbrush and Belgian bureaucracy of "Spies in the Congo".I was also disturbed by the publishers' inclusion of 32 pages of historic photos that, while intensely interesting, are almost illegible because of over-inking on inferior paper stock. Many of them are dark, grainy, and blurred; I surmised that the inferior quality of some of the nearly 80-year-old photos may have been due to their age, or poor composition or reproduction in their originals … until I turned the last page and discovered a contemporary 2015 photo was equally dark and blurry. Albert Einstein's famous 2-page letter to President Roosevelt in 1939 at the beginning of "Spies in the Congo" is almost unreadable, too. A simple Photoshop correction would have solved this need, and it's a pity they didn't choose to do it. All of these photo deficiencies in the book are not the fault of the author, but of Public Affairs/Perseus Books publishers; apparently they chose to produce this book on the cheap, and it compromises the text.A final constructive suggestion: sometimes books by British authors that slavishly maintain the British spellings of common words are navigable by American readers … and sometimes they're not. While not a big issue with this book, there ought to be a simple editing software package that could scan manuscripts and self-correct draft galleys to eliminate an aspect that can sometimes prove tedious or off-putting to American readers' eyes, just as books by American authors might be translated into British English, for audiences there. It's just a courtesy that makes reading less of a challenge.
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