Ebook Dry Powder: A Play

Ebook Dry Powder: A Play

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Dry Powder: A Play

Ebook Dry Powder: A Play

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Review

Praise for Dry Powder: “A vicious if coolly rendered comedy about ruthlessness and greed in the world of high finance . . . Announce[s] the arrival of a writer with a gift for razor-sharp dialogue, shifting power dynamics, and loaded showdowns, not to mention an acid wit and a not entirely sunny view of human nature and 21st-century capitalism.”―Vogue “[A] lacerating dark comedy . . . Burgess conveys not just the language of the high-stakes game she depicts—financial jargon is woven nimbly into the snappy dialogue—but also the differing mindsets of its players . . . The play makes sharp points . . . Dry Powder feels extraordinarily timely. It’s a play every oligarch should see.”—Time Out New York“Calling all Bernie Sanders fans. There’s a pageant of red meat for you . . . A slick drama set in sleek boardrooms . . . addressing the hot-button topics of income inequality and the collapse of American manufacturing . . . Ms. Burgess’s grasp of the jargon of high finance is impressive.”—Charles Isherwood, New York Times“Frighteningly funny . . . [a] timely play.”—Marilyn Stasio, Variety“[A] tremendously entertaining, swift as lightning new play . . . Burgess is operating in the same biting, darkly comic key as Adam McKay’s recent film The Big Short, forcing us to alternately identify with and recoil in horror at these soulless capitalists willing to do anything to increase profit margins. Dry Powder is a comedy meant to make you a little sick to your stomach . . . Burgess has a fine ear for the clubby patois of business people and their sometimes outsized views of themselves . . . Dry Powder races to a wry, note-perfect conclusion.”—NJ.com“Burgess writes smart dialogue that crackles . . . There are echoes of Caryl Churchill and David Hare in the theme of corporate dehumanization, though Burgess, like David Mamet, say, is more focused on the soulless principals than on the folks who will suffer the consequences of their actions.”—Deadline“Slick, timely . . . [a] fast-paced script. It could be a companion piece to The Big Short. The play’s talk of leveraged buyouts and business lingo . . . is ever accessible.”—New York Daily News“[A] smart look at finance . . . Burgess deserves a lot of credit for tackling the subject.”—AM New York“Riveting . . . the play [has] a kind of presentational Greek quality, not unlike, from the other side of the political spectrum, David Mamet’s China Doll . . . A fully engrossing and entertaining play . . . terrific dialogue.”—Vulture“Hot on the heels of the unlikely Hollywood hit The Big Short comes another Wall Street-centric story that would make Bernie Sanders choke on his stump speech: Sarah Burgess’ Dry Powder . . . a curiously fascinating behind-the-numbers peek inside a New York private equity firm. You don’t have to work at a big bank to get sucked into Burgess’ story.”—EW.com“Private equity types will . . . probably find themselves laughing at the play’s quick-fire gallows humor as it tackles the industry’s biggest perennial issue . . . In an election year with Wall Street on the hot seat, the play is topical, to say the least . . . Dry Powder has a solid grip on the nitty-gritty of buyouts . . . It is hard to say that those working in the industry will like the conclusions playwright Sarah Burgess reaches about their chosen field and the personalities who inhabit it . . . That is not to say they won’t be entertained.”—Bloomberg

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About the Author

Sarah Burgess is a playwright and writer for "The Tenant" (Woodshed Collective) and Naked Angels podcast series, "Naked Radio." She has been a writer-in-residence at SPACE on Ryder Farm and the Cape Cod Theatre Project. Burgess is a member of the WP Lab and is an Ars Nova Play Group alum. Her play "Dry Powder" was a recipient of the 2016 Laurents/Hatcher Foundation Award and a finalist for the Blackburn prize. Other plays include "Camdenside" and "FAIL: Failures." She lives in Brooklyn."

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Product details

Paperback: 112 pages

Publisher: Grove Press (January 3, 2017)

Language: English

ISBN-10: 0802126421

ISBN-13: 978-0802126429

Product Dimensions:

5 x 0.2 x 8 inches

Shipping Weight: 5 ounces (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

5 customer reviews

Amazon Best Sellers Rank:

#671,561 in Books (See Top 100 in Books)

Being a finance guy who has worked in different areas across the industry, from investment banking to venture capital to private equity to commercial banking, I felt very meh about this play. Maybe I've worked with too many scumbags and seen too many colleagues get indicted and sued to find this that interesting.Don't get me wrong: this play is very well written, the characters are well designed (and written pretty realistically), but the events and the conversations were nothing special. The author seems to have gone above and beyond to get the lingo and terminology right, and the various personalities in the industry and their constant conversations about what they'll do when the whole thing crashes were like flashbacks for me. But the big ending was just funny to me in that it did not give me the shock that was intended; I think I was more shocked that others were shocked. Because I know y'all read the news. Ironically, I expected something far worse and darker than what occurs in the third act.I was the wrong audience for this play. I imagine it's like telling a story about a schoolyard fight to a prison security guard who regularly sees way worse. But as someone who's lived through both sides of this, screwing and getting screwed, I do recommend it for those who are looking to see realistic characters living the scam. And if you have lived through it like I have, it's still a worthwhile play but will not have the effect that I think the author intended.

Dry Powder a Review by Ronald MackayJeff Schrader, the CEO of Landmark Luggage located in California, is led to believe by Seth, one of two managing directors of KMM Capital Management, that this private equity firm intends to acquire and reinvigorate Landmark for $491 million. At the very moment he’s about to sign the Letter of Intent, Jeff discovers that Rick, the founder and president of KMM is being advised by Jenny, another KMM managing director, to pursue an opposing strategy. Jenny advises stripping Landmark of its assets, offshoring its production and offloading the company immediately. Whose advice will Rick follow, Seth’s or Jenny’s? What might it take to get Jeff to sign on the dotted line, irrespective?Dry powder is jargon for the cash reserves that a venture capital firm holds in order to purchase acquisitions. This engaging drama intertwines the financial, moral, philosophical and the intellectual through character and dialogue that is rapid, captivating, witty and brilliant.Rick, the founder of KMM plays God not only with the ‘dry powder’ but also to the other three characters and with others who are only mentioned. Rick’s skill consists in absorb varied and conflicting information and making the final decision according to his instinct as a financier.Jenny, the female managing director of KMM, is a single-minded psychopath dedicated to the abstract logic of capital gain.Seth, the male managing director of KMM, slightly more human than Rick, and Jenny’s antithesis, possesses a conscience but lacks the discipline to forge a course of action.Jeff is the CEO of Landmark Luggage. He’s the businessman. Rick and Jenny are financial experts whose skill lies in maximising investments for their LPs. Seth imagines himself a businessman but is a numbers man, albeit one with an anemic conscience.Two important characters never appear. Stu is the owner of Landmark. In his 70s, he is hands-off and anticipating retirement. Then there is Xu Wei, a rich Chinese investor so corrupt that even China has disowned him. In the shadows are KMM’s private investors who provide the millions that Rick (and Jenny and Seth) play at numbers with and to whom they are beholden.The opposing perspectives from which Jenny and Seth advise their boss (Rick) as to the future of Landmark Luggage provide high humour, searing irony and excellent social commentary all of which strike at left and right effectively.Jeff grasps the predicament he is in and one amazing offer, made by Jeff to Seth, follows another amazing offer made by Jenny to Seth. Who will accept what?This is a brilliant play with a complex plot, and dialogue that presses a range of political buttons with insight and intelligence. It’s also an important play because it deals, in the end, with matters that we are all intimately involved in whether we appreciate it or not. To those willing to ponder these complex issues, this is an intellectual feast.

Love it. I saw the play a couple years back in NYC with an All-Star cast and couldn’t get it out of my head. So glad I could finally get the play so as to RE-read and enjoy it whenever I like. The author did her homework and created really true to type characters.

Best play ever!!!Congratulations to Sarah for creating amazing theater with incredible, believable dialogue. We saw this a Gables Theater in Miami - great actors.DonDon Firthdfcgrp@aol.com

Hilarious and smartly written-couldn't stop reading-didn't want it to end...

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