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Review
ONE OF ROLLING STONE'S TEN BEST MUSIC BOOKS OF 2017ONE OF NO DEPRESSION'S BEST BOOKS OF 2017"A hilariously candid memoir." —Andy Greene, Rolling Stone"Wainwright is funny, self-deprecating, poignantly insightful, and this is the best memoir of the year." —Henry Carrigan, No Depression“The singer-songwriter has always poured his family life into his lyrics; here, with humor and insight, he elaborates. Alcoholism, infidelities, fights, fierce devotion—it’s engrossing.” —People“Instead of inventing a mythos, Wainwright simply wrote some excellent songs — rich, complicated, sometimes dorky (one of his biggest hits is the 1972 novelty tune “Dead Skunk”), marked by unexpected wordplay and often surprisingly dark. His new memoir is all of these things, too. It’s a funny, rueful thing to consume … Wainwright does not go easy on himself in this book … And yet, as he woos his memories back, there’s a great deal fondness in this book, too. Like the best songs of the Wainwright-McGarrigle-Roche clan, this straightforward book makes your heart wobble on its axis. And it sends you back to the songs.” —Dwight Garner, The New York Times"Liner Notes delves into death, decay, and other delights."—Sloane Crosley, Vanity Fair“Wainwright is an engaging and witty memoirist… Those who can laugh at life while making a messy success of it—or is that a successful mess?—have something to impart. And Wainwright may be relieved to know that, whether or not he found the process torturous, his writing is no stone drag.” —Tony Fletcher, Wall Street Journal"Wainwright writes prose with the same wit and honesty that distinguish his songs.... [A]n excellent book." —Graeme Thomson, Uncut“Wainwright’s memoir is packed with the wit and erudition of the music he’s been making for close to 50 years. An always reliably forthright and articulate singer-songwriter, he loses none of his charm or style when setting his guitar down and putting pen to paper…. Liner Notes sees Wainwright practically bounding across a tightrope over a magnificent life that can switch from therapy session to stand-up routine at the drop of a plectrum. One of the most engrossing and informative and music biographies of recent times.” —Terry Staunton, Record Collector (four-star review)“Liner Notes is, unsurprisingly, as good as its author's songs, with moments of sharp humor alternating with real-life pain, and vivid reflections on love, death, and the whole damn thing. Loudon Wainwright is a true original: not like anyone else, just as he set out to be.” —Salman Rushdie "I expected a memoir that reflected all I know to be true about Loudon: a raconteur with an acerbic, sometimes mordant wit, unapologetic even when full of regret, funny and acutely, sometimes horrifyingly, honest. I got that and more. He is unafraid and clear-eyed about the events of his life—and utterly engaging." —Rosanne Cash “This book is as candid, moving, and hilarious as Loudon Wainwright’s music.” —Judd Apatow “Loudon Wainwright writes without pulling punches about his life. In other writers, this confessional style can instantly repel, but Loudon succeeds by being scrupulously honest about everything, including himself. This is a moving, funny, and observant memoir—everything we would expect from one of the great musical talents of our time.” —Richard Thompson"Fans of the self-lacerating, painfully funny Wainwright III will find the memoir they want here... [and] will delight in how much more they can learn about a songwriter who has already revealed so much in his material. A very funny and candid memoir." —Kirkus Reviews"Classic Wainwright." —June Sawyers, Booklist
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About the Author
Loudon Wainwright III is a singer-songwriter and actor. In 1968 he began to write songs, and in 1969 recorded his first album. Wainwright has recorded twenty-seven albums, including his 2010 Grammy Award–winning High, Wide, & Handsome. His songs have been covered by Johnny Cash, Mose Allison, Rufus Wainwright, Bonnie Raitt, and Earl Scruggs, among others. As an actor he has appeared on TV (M*A*S*H, Ally McBeal, Undeclared), in movies (Big Fish, The Aviator, Knocked Up), on Broadway (Pump Boys and Dinettes) and Off (Hot Lunch Apostles, Surviving Twin). “Mr. Wainwright wrings more human truth out of his contradiction than any other songwriter of his generation.” —The New York Times, Stephen Holden
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Product details
Hardcover: 320 pages
Publisher: Blue Rider Press; First Edition edition (September 5, 2017)
Language: English
ISBN-10: 0399177027
ISBN-13: 978-0399177026
Product Dimensions:
6.3 x 1.1 x 9.3 inches
Shipping Weight: 1.2 pounds (View shipping rates and policies)
Average Customer Review:
4.0 out of 5 stars
32 customer reviews
Amazon Best Sellers Rank:
#512,745 in Books (See Top 100 in Books)
This isn’t the prettiest book. But Wainwright opens up his life to us like a chef with a blade. He’s fearless. Sometimes I was stunned, and I always felt he was telling the truth.Not everyone can start a chapter with an admission like this: “Recently someone was telling me about seeing a singer-songwriter contemporary of mine do a bad performance at a club. Hearing such a thing would usually lift my spirits, because, like most performers, I have a jealous, frightened, competitive and insecure nature.â€Sometimes he’s jealous, sometimes he’s frightened—but often enough he’s exuberant, funny and evocative. The tales of his adolescence fling me back to my own, and it’s not a gentle ride. (I should note that while I’ve never met Wainwright, his father worked for Life, my father worked for Life, and we both grew up in affluent suburban towns outside New York. Perhaps this makes me more susceptible than most to his early stories.)Above all, as you could guess from the lyrics of his songs (many of which are included in the book), the focus is on his original family, his several marriages, his children and grandchildren. We read about his career, his depression, his friends and lovers—and he includes a few of his father’s columns from Life. But it’s his domestic stories that wring me. He’s been singing this way for almost fifty years, and the book is as honest as his songs: “The marriage was over, though the battles, with our kids acting as foot soldiers, raged on, long- and short-distance, for thirty more years.â€Yes, I kept thinking as I read, tell me some more. Because this is how so many of us are: insecure and desperate, and at the same time full of love. For me, an upright and memorable book.
I suppose that Liner Notes should be classified as a memoir. Certainly, Louden Wainwright III tells his life story, interspersed with song lyrics, anecdotes about his parents, and a few excerpts of the work of his father (who was editor and essayist at Life magazine, back when that was on every coffee table).But "memoir" sounds so dull, as if it's the sort of homework reading you put off until the night before the book report is due. And Liner Notes is never dull. It made me smile, it made me sigh, it made me say Hmmm. And it certainly kept me interested all the way through to the end of the book.Wainwright's writing sounds much like Himself in concert. He's a chatty storyteller, with engaging if not-always "meaningful" tales that I wanted to listen to. Over and over, I thought, "Reading this book is like being on a long plane trip, and discovering you're sitting next to someone really interesting. I want to listen to him, but it's easy enough to say, 'I'm going to take a nap now,' and take a break from the conversation." I had that experience for-real, once, with a seat-mate who turned out to be the author of a book I'd really liked.Wainwright certainly has a great source of tales to tell. Once lauded as "the next Bob Dylan," his career never took off on the same trajectory. But he has managed to make a living as folk-ish singer-songwriter for the past 50-or-so years (you most likely know "Dead Skunk" or "The Swimming Song"), with forays into acting (such as a few episodes of MASH and a bunch of stuff I never saw). That means he's crossed paths with quite a few names you are apt to recognize -- among them his exes, including Kate McGarrigle and Suzzy Roche. His life hasn't been peachy, either, often with self-imposed misery (such as womanizing and drink).Wainwright's storytelling, though, is not imbued with self-pity. He shares an honest self-assessment of his actions and his reasons, or at least an apparent effort to be. As he writes, "My career has provided me with a living and a half-assed identity, but having those things hasn't resolved any of my so-called stuff. I don't think song-writing is curative. In fact, it could be argued that, in the end, singing the blues just makes you bluer."It didn't make my life bluer to read this book, though. Wainwright is a superb wordsmith, and he knows how to tell a story. For example, in an anecdote about his grandchildren (aged 5 and 2) playing on the living room floor. The five-year-old was trying to line up his toy train. "But his baby brother, Francis, inexorably--almost magnetically--drawn to his older sibling and whatever he was doing, kept falling over Arc's miniature world, destroying it like a drunken, oblivious, toddler Godzilla." There's plenty of references to living through the Summer of Love, such as the adventures in driving back east, which might have gone better if the gas money hadn't run out in Oklahoma City and they had send a wire from Western Union to get more. ("The dough took several hours to get there, which was quite nerve-wracking for three counterculture freaks stranded in Easy Rider territory" -- and that's before it gets interesting.) And the book might be worth the cost just for his chapter about childhood playmate Liza Minelli.It's rare to find a good companion on a long plane flight. Don't take a chance. I don't think you'll regret it if you bring along a copy of Liner Notes instead.
I purchased both the Audible and Kindle versions of this excellent memoir by the talented Loudon Wainwright III. If you must choose between the two, I recommend the Audible version because LWIII frequently describes the circumstances that led him to write a particular song and then plays a bit of that song. Like his art, his book is honest, insightful, sometimes self-deprecating, often funny and equally often heart-wrenching. I am grateful that Wainwright published this well-written memoir and shared so many personal details.
I've enjoyed wainwright's music and attitude towards life and love as presented thru his songs. This book doesn't disappoint. Written by the 70 year old London looking back, no excuses really ,some explanations but mostly a celebration of a life fully lived and surprised to still be here to reflect. Good for fans.
Loudon doesn't spare himself. He seems like an interesting flawed man and I don't think he would disagree. The format worksin sharing his life without reading like a typical autobiography. Amusing, witty, well written, sometimes sad, there is a lot more to the man than a dead skunk in the middle of the road.
I had the privilege of working with Loudon's father at Life magazine in 1979.I was a young, fill-in copy girl and was thrilled to be meeting the man whose column I had read as a kid. I found him to be gracious and self-effacing. He and his son are gems. I especially liked Loudon III's account of his Weschester childhood- building forts and riding bikes. His voice is strong, poignant, rueful and genuine. Five stars!
The great Loudon Wainwright tells his life story well and with a lot of fun.
more to the guy than a dead skunk.
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